The first campaign of 2021 and one of the most successful to date. Not long after release day Rise To The Sky broke beyond the 1k monthly listener’s mark, sold all of the available CDs and got an overwhelming amount of reviews!
Xeno Ooze is a three-piece hive-minded grindcore outfit from the scorching Sonoran deserts of Phoenix, Arizona. Formed in 2018 by ex-members of Glitterbomb and Drogheda, Xeno Ooze weaves elements of death metal, crust, power violence and oozing science fiction into a sludgy conglomerate of mach-speed blasting, pummeling riffs, and gutturals from the maws of The Old Ones themselves. Slimewave continues the aesthetic of their 2019 debut “Parasligm Shift” by remaining consistent in their toxic choice of artwork and subverting the expectations of grind.
Rise The Sky is the solo project of Chilean musician Sergio G who has wasted no time this year and is back already with follow up the critically acclaimed October LP “Death Will Not Keep Us Apart”. The heart of this new EP, “A Cold Embrace From Life” is an atmospheric death doom experience that trudges through the emotions of grief and a stinging lack of closure. It embraces the signature sound of the band while also exhibiting various improvements over previous releases. Sergio says of the album:
Rise To The Sky is a solo death doom project that borders on the funeral side of things. After making releases for a couple of years Rise To The Sky cements their style and aesthetic with this new album Death Will Not Keep Us Apart. Between the compositions, sound and album artwork, this is very far from a run of the mill made in a bedroom kind of solo project. It’s miles ahead in quality and preparedness. Enjoy the story telling and longform doom atmosphere with this brand new LP.
Cavernous. Brooding. Bleak. Thorn is a one-man project from Phoenix, Arizona specializing in the foreboding and ominous. Weaving elements of death metal, doom, post and grind, the debut release “The Encompassing Nothing” is the ideal soundscape for worshipping pagan gods and making offerings to unknown entities. Created by the guitarist from Xeno Ooze and Glitterbomb.
“Lisa Mann made a career as an award winning blues artist, but never lost her love of metal music. Growing up in the mosh pits of the 1980’s, she was inspired by bands such as Iron Maiden, Mercyful Fate, Black Sabbath, Manowar, Dio and more. A mostly one-woman project, White Crone is a love letter to this grand era of metal, and a lyrical homage to mystical storytelling traditions of yore”
This is one of those projects I love to promote because of there sheer amount of talking points. Publications will have a field day with this one, for better or worse. Extinction is an aggressively environmentally conscious slam band that weaves samples into the chaotic music to tell a story. Their new album Smouldering Enfoulment is a natural continuation of their 2019 demo Anthropogenic Degradation of Ecosystemic Vegetation and the amount of progression made since last year is very impressive. From the composition to the production, this is a chunky album that delivers on it’s promise to crusade for nature.
Hailing from Long Island, New York, Old Bones is the culmination of 20+ year friendships, fights, musical cultivation, and exploration. Following years of stop-start momentum, the band finally found its footing after watching a Mastodon/Opeth show and realizing what they needed to do. After a ton of individual writing, they had enough to begin rehearsing with Griffin McCarthy (Letter of Marque) and ultimately put 5 of these ferocious songs to tape to release them to the masses in March 2020.
Self described as “Acid mountain rock”, “Speed Doom” or just “Heavy Fuckin’ Rock”. Scissorfight has just released their first LP in over a decade and first every Vinyl LP since reforming with a new lineup in 2016. Scissorfight are back in full mud stomping force. Doomus Abruptus Vol.1 is front to back a raucous good time. Caveman Television is the strongest opening to an album you can get, it is an anthem worthy lead into some of the most southern and heaviest rock and roll you will hear this year from an OG band of the genre. “Give rock or give me death”.
Hailing from Moscow Russia, L’Homme Absurde play a captivating blend of post-black metal and metalcore that has been refined over multiple releases leading into their third LP, ‘Belong’ (Out Jan 17th). The band originally started as the solo project of A.S. and quickly evolved into a fully fledged live performance. Their name is in french and loosely means The Absurd Human/Man, it is taken from the philosophical work “The Myth of Sisyphus” by Albert Camus.